Serveur d'exploration sur William Byrd

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

From themistocles to philomathes: Amousos and amousia in antiquity and the early modern period

Identifieur interne : 000487 ( Main/Exploration ); précédent : 000486; suivant : 000488

From themistocles to philomathes: Amousos and amousia in antiquity and the early modern period

Auteurs : Roger Harmon [Suisse]

Source :

RBID : ISTEX:D9DA89B85DE3DFF40524657FE007E6A2273961DE

Abstract

Abstract: Greek myth and history are peppered with musician heroes, Orpheus, Amphion, and Arion being only the most prominent examples. Their antithesis was music'santi-hero, theamousos of fame marked by a deficit of culture. To be worthy of note, a person'samousia had to imply a paradox, as is the case with Zethus, Amphion's twin brother, and, above all, Themistocles, on one hand held by his contemporaries to be the “wisest of the Hellenes” (Herodotus), on the other notorious for his non-achievement in the field of music. Plutarch preserves a reference by Ion of Chios to Themistocles' abstention from playing the lyre and resulting disgrace, an episode emblematic of the mores and—seen from the polarized viewpoint of, e.g., Aristotle'sAthenaion politeia—politics of 5th-c.-BC Athens (§1). Cicero redacted the story to exemplifye negativo music's high status in Greece, and Augustine used it to legitimize disdain for classical learning (§2). Cicero's redaction figured in the protrepticlaus musices of the Early Modern Period (§3) and inspired the beginning of Thomas Morley'sIntroduction to Practicall Musicke (§4). The notions that immunity to music's charm is a sign of innate evil and that statecraft is a kind of music converged with the perennial debate on Themistocles' character in works by John Case, music's foremost Elizabethan apologist (§5), and Aelius Aristides, the second-century Greek orator (§6) respectively. Thus ancient and Early Modern authors related Themistocles'amousia to a variety of issues, emancipating it from its original context and instrumentalizing it according to their own agendas.

Url:
DOI: 10.1007/BF02898870


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en">From themistocles to philomathes: Amousos and amousia in antiquity and the early modern period</title>
<author>
<name sortKey="Harmon, Roger" sort="Harmon, Roger" uniqKey="Harmon R" first="Roger" last="Harmon">Roger Harmon</name>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:D9DA89B85DE3DFF40524657FE007E6A2273961DE</idno>
<date when="2003" year="2003">2003</date>
<idno type="doi">10.1007/BF02898870</idno>
<idno type="url">https://api.istex.fr/ark:/67375/VQC-VKQGM9VP-R/fulltext.pdf</idno>
<idno type="wicri:Area/Main/Corpus">000C09</idno>
<idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="ISTEX">000C09</idno>
<idno type="wicri:Area/Main/Curation">000C09</idno>
<idno type="wicri:Area/Main/Exploration">000487</idno>
<idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Exploration">000487</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a" type="main" xml:lang="en">From themistocles to philomathes:
<hi rend="italic">Amousos</hi>
and
<hi rend="italic">amousia</hi>
in antiquity and the early modern period</title>
<author>
<name sortKey="Harmon, Roger" sort="Harmon, Roger" uniqKey="Harmon R" first="Roger" last="Harmon">Roger Harmon</name>
<affiliation wicri:level="4">
<country xml:lang="fr">Suisse</country>
<wicri:regionArea>Seminar für Klassische Philologie, Universität Basel, Nadelberg 6, CH-4051, Basel</wicri:regionArea>
<orgName type="university">Université de Bâle</orgName>
<placeName>
<settlement type="city">Bâle</settlement>
<region nuts="3" type="region">Canton de Bâle-Ville</region>
</placeName>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j" type="main">International Journal of the Classical Tradition</title>
<title level="j" type="abbrev">Int class trad</title>
<idno type="ISSN">1073-0508</idno>
<idno type="eISSN">1874-6292</idno>
<imprint>
<publisher ref="https://scientific-publisher.data.istex.fr/ark:/67375/H02-SWLMH5L1-1">Springer-Verlag</publisher>
<pubPlace>New York</pubPlace>
<date type="published" when="2003">2003</date>
<biblScope unit="vol" from="9" to="9">9</biblScope>
<biblScope unit="issue" from="3" to="3">3</biblScope>
<biblScope unit="page" from="351">351</biblScope>
<biblScope unit="page" to="390">390</biblScope>
</imprint>
<idno type="ISSN">1073-0508</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">1073-0508</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass></textClass>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">Abstract: Greek myth and history are peppered with musician heroes, Orpheus, Amphion, and Arion being only the most prominent examples. Their antithesis was music'santi-hero, theamousos of fame marked by a deficit of culture. To be worthy of note, a person'samousia had to imply a paradox, as is the case with Zethus, Amphion's twin brother, and, above all, Themistocles, on one hand held by his contemporaries to be the “wisest of the Hellenes” (Herodotus), on the other notorious for his non-achievement in the field of music. Plutarch preserves a reference by Ion of Chios to Themistocles' abstention from playing the lyre and resulting disgrace, an episode emblematic of the mores and—seen from the polarized viewpoint of, e.g., Aristotle'sAthenaion politeia—politics of 5th-c.-BC Athens (§1). Cicero redacted the story to exemplifye negativo music's high status in Greece, and Augustine used it to legitimize disdain for classical learning (§2). Cicero's redaction figured in the protrepticlaus musices of the Early Modern Period (§3) and inspired the beginning of Thomas Morley'sIntroduction to Practicall Musicke (§4). The notions that immunity to music's charm is a sign of innate evil and that statecraft is a kind of music converged with the perennial debate on Themistocles' character in works by John Case, music's foremost Elizabethan apologist (§5), and Aelius Aristides, the second-century Greek orator (§6) respectively. Thus ancient and Early Modern authors related Themistocles'amousia to a variety of issues, emancipating it from its original context and instrumentalizing it according to their own agendas.</div>
</front>
</TEI>
<affiliations>
<list>
<country>
<li>Suisse</li>
</country>
<region>
<li>Canton de Bâle-Ville</li>
</region>
<settlement>
<li>Bâle</li>
</settlement>
<orgName>
<li>Université de Bâle</li>
</orgName>
</list>
<tree>
<country name="Suisse">
<region name="Canton de Bâle-Ville">
<name sortKey="Harmon, Roger" sort="Harmon, Roger" uniqKey="Harmon R" first="Roger" last="Harmon">Roger Harmon</name>
</region>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/WilliamByrdV0/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000487 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000487 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    WilliamByrdV0
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     ISTEX:D9DA89B85DE3DFF40524657FE007E6A2273961DE
   |texte=   From themistocles to philomathes: Amousos and amousia in antiquity and the early modern period
}}

Wicri

This area was generated with Dilib version V0.6.39.
Data generation: Fri Jan 14 17:52:05 2022. Site generation: Fri Jan 14 18:08:58 2022